With the proliferation of video frame sizes beyond 1920×1080 pixels, memory card readers have become a major bottleneck in the production process. The Lexar Professional Workflow Reader Solution is a high-speed reader system that lets you transfer images from up to four memory cards simultaneously. The solution consists of a four-bay reader hub and independently sold reader modules that can be used both as a module and a stand-alone reader.
Best Practices & Analyses
A couple of years ago I reviewed Crumplepop’s ColorKit plug-in for Final Cut Pro X. I wasn’t too impressed with it and criticised the plug-in’s interface and on-screen controls. Recently, I wanted to colour-grade some GoPro Protune CamRAW clips and started working in Da Vinci resolve first, then switched to SpeedGrade CS6 and ended up with Red Giant’s Magic Bullet looks. They all looked like overkill, forcing me to go through fat user guides again, because I don’t use these applications often enough to remember their workflow by heart. Then I thought: why don’t I try it with ColorKit again? I rediscovered that plug-in and found it fit my needs perfectly. Better yet, tuning the clips took me about 10 times less effort and time than with any of the other solutions.
How you manage your digital assets in large part determines how much money and time you lose over finding the right image, audio or video clip for a job. That’s the reason why DAM (Digital Asset Management) systems were developed in the first place. However, not all DAM systems are created equal. Generally speaking, there are two kinds of DAM: systems that are designed mainly to find, use and archive assets, and systems that also optimise the production process. CatDV belongs to the second kind.
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